William Rand this volume would not have been possible. williamsĪcknowledgments Without the generosity of Mr. fraserĪ Different Shade of Modernism Difference and Distinction in Pedro Figari’s Representations of Black Bodies lyneise e. Images of Uncertainty Delacroix and the Art of Nineteenth-Century Expansionism elisabeth a. The Dislocations of Jean-Etienne Liotard, Called the Turkish Painter mary d. Travel and Cultural Exchange in Enlightenment Rome christopher m.
Remapping Dutch Art in Global Perspective Other Points of View julie hochstrasser
On The Peripatetic Life of Objects in the Era of Globalization claire farago Introduction Cultural Contact and the Making of European Art, 1492–1930 mary d. cm.-(Bettie Allison Rand lectures in art history) Includes bibliographical references and index. Library of Congress Cataloging-in-Publication Data Cultural contact and the making of European art since the age of exploration / edited by Mary D. The University of North Carolina Press has been a member of the Green Press Initiative since 2003. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Manufactured in the United States of America. Designed by Courtney Leigh Baker and set in Whitman by Rebecca Evans. ©2010 The University of North Carolina PressĪll rights reserved.
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The publication of books in this series is made possible through the generous support of william g. Sheriff the university of north carolina press chapel hill Cultural Contact and the Making of European Art since the Age of Explorationīettie allison rand lectures in art historyĬultural Contact and the Making of European Art since the Age of Exploration Edited by Mary D.
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